Bd. S. 448–449, Review by Joshua Barton: Work and Sing: A History of Occupational and Labor Union Songs in the United States by Ronald D. Cohen. S. 254–289, Renate Wagner, Munir Bashir, Judith A. Coon: Nouvelles/Nachrichten/News. S. 219, Review by Paul Schreiber: The Cambridge Companion to Electronic Music by Nick Collins; Julio d’Escriván. S. 1–14, Martie Severt: 2006 Treasurer’s Report TO COUNCIL AND GENERAL ASSEMBLY JULY 2007. S. 41–44, William Y. Elias: Project Group on Editing and Publishing Contemporary Music (EdPuM). S. 356–357, Review by Brad Short: Index to CD and Record Reviews, 1987—1997: Based on Material Originally Published in Notes, the Quarterly Journal of the Music Library Association between 1987 and 1997 by Mark Palkovic; Paul Cauthen. 14,752 Photos. S. 91–104, Editions et Reéditions de Musique Ancienne (avant 1800). S. 183–185, John H. Roberts: Bibliography Commission. S. 116–124, Review by Bruce Gustafson: Seventeenth-Century British Keyboard Sources. S. 31–32, Dan Fog: Music in the 19th Century — A Bibliographic Project Realized. IAML Annual Conference in Bergen Réunion annuelle de l’AIBM à Bergen Jahrestagung der IVBM in Bergen. 1) by Herbert Schneider. S. 139–151, Joachim Jaenecke: Die Planung Für Ein Verzeichnis Der Musiknachlässe In Deutschland. S. 70–71, Britta Carlsson: Qualifications For Music Librarians In Sweden. S. 195–197, Review by Zofia Chechlińska: Chopin’s Polish Ballade Op. S. 64–65, Review by Anthony Lis: Where’s That Tune? S. 309–311, Review by Heikki Poroila: Jean Sibelius : thematisch-bibliographisches Verzeichnis seiner Werke by Fabian Dahlström. S. 77–79, Iván Pethes: Musiksektion des Vereins der ungarischen Bibliothekare. Vol. S. 196, Review by Sven Hansell: Autographus Musicus, facsimile editions by Sigvard Samuelsson; Sinfonia in E la fa, MS (vol. S. 391–392, Ilvi Rauna: The Estonian Academy of Music and Theatre at 90: Some New Publications. S. 177–178, Review by John Wagstaff: Early Keyboard Instruments in European Museums by Edward L. Kottick; George Lucktenberg; British Keyboard Music to c. 1660: Sources and Thematic Index by Virginia Brookes. S. 93–95, Musicological Index (Communiqué du Secrétariat, juin 1955). (Detroit Studies in Music Bibliography 36.) S. 108–111, Barry S. Brook, Catherine Massip: RILM Report No. S. 417–418, Emilia Rassena, Emilia Rassina: Russia. S. 20–21, Lenore Coral: Cataloguing Commission. S. 150–151, Roger Flury: MINUTES OF COUNCIL MEETING: held Sunday 18 and Thursday 22 June 2006 at Artisten, Göteborg, Sweden. Volume 7, 1991 by Walter B. Hewlett; Eleanor Selfridge-Field. S. 71, D. W. Krummel: Commission For Bibliographical Research. S. 388–390, Joseph Hafner: Cataloguing Commission. S. 428–430, Review by Geoff Thomason: Haydn, Mozart & Beethoven: Studies in the Music of the Classical Period: Essays in Honour of Alan Tyson by Sieghard Brandenburg. S. 278–282, Jana Jiraková: The Programme and Archive Collections of Czechoslovak Radio in Prague. Écoutez de la musique en streaming sans publicité ou achetez des CDs et … S. 246–270, Leslie Troutman: MLA-L: A New Mode of Communication. S. 74–75, Alice Moyle: Bartók’s Legacy and the Documentation and Dissemination of Australian Folk and Aboriginal Music. S. 179–184, Heikki Poroila: Finland: Intervalli – R.I.P.. S. 185, Martina Rebmann, Fernand Hörner, Andreas Friesenhagen, Angelika von Wilamowitz-Moellendorff, Jutta Lambrecht: Neuigkeiten aus Deutschland. Alternative Musikgeschichten. S. 142–143, Review by Jay Weitz: Hebrew notated manuscript sources up to circa 1840: a descriptive and thematic catalogue with a checklist of printed sources. S. 313, Review by Garrett H. Bowles: Music and the personal computer; an annotated bibliography. (Veröffentlichungen der Richard-Strauss-Gesellschaft München, 12) by Franz Trenner. S. 620, Federica Riva, Richard Chesser: Copyright Committee. S. 371–372, Emiliya Rassina and Emilia Rassina: Russia. S. 381–382, Review by James R. Briscoe: Masters of the French art song: translations of the complete songs of Chausson, Debussy, Duparc, Fauré and Ravel by Timothy LeVan. S. 195–196, Review by Kim Armstrong: Lieder Line by Line and Word for Word. S. 54, Jørgen I. Jensen: At The Boundary Between Music And Science: From Per Nørgård To Carl Nielsen. S. 291–307, Carol Steyn: President Kruger’s Armenian Hymnal: A Late-Mediaeval Discovery In Pretoria. S. 84–90, Hans-Martin Pleßke: Zur Geschichte der AIBM-Ländergruppe DDR (1959—1990). S. 228–230, Luiz Heitor Corrêa De Azevedo: La Musique et les musiciens à l’UNESCO: Un bilan à l’occasion du 20e anniversaire de l’organisation. S. 2–6, Cecil Hill: Ferdinand Ries: a preliminary list of correspondence. Karl Vötterle Zum 65. S. 106–113, Irina Medvedeva, Natalia Tartakovskaia: American Materials At The Glinka State Central Museum Of Musical Culture. S. 30–32, Marius Flothuis: An Unexpected Source of Musical Information: the Correspondence of Belle Van Zuylen (1740—1805). S. 31–32, John Morehen: Thematic Cataloging by Computer. S. 247, Review by Alan Tyson: Ludwig van Beethoven 1770—1827. S. 59–62, Helmut Rösner: Zur Statistik der Musikbibliotheken in der Bundesrepublik Deutschland. S. 5–9, Don L. Roberts: 1989 Treasurer’s Report. S. 81–82, Joachim Jaenecke: Musikbibliothekswesen in der Bundesrepublik Deutschland: Einleitung. S. 162–171, Erich Schwandt: Some 17th-Century French Unica in Canada: Notes for RISM. S. 71–72, Richard Chesser: Copyright Committee. Erschien anfangs halbjährlich, ab 1964 in drei, seit 1976 in vier Nummern pro Jahr, oft in Doppel- oder Mehrfachnummern, IVe Congres International Des Bibliotheques Et Des Phonotheques Musicales. Sept. 2014 Mainz. S. 97–101, Colette Chabaud: Le Prêt inter-bibliothèque pour la musique. S. 60–61, Barry S. Brook, Nanna Schiødt: RILM. S. 495–511, Greta Olson, Rosa Isusi Fagoaga: The Music Archive And Library At The Real Colegio-Seminario De Corpus Christi (Valencia). S. 187, Ruth Henderson: U.S. S. 261–267, Malcolm Lewis: Music Services in Public Libraries in the United Kingdom. by Karin Pendle; Melinda Boyd. S. 170–172, Marjorie Hale: Canadian Association of Music Libraries/Association canadienne des Bibliothèques musicales. S. 103–128, Frits Noske: Reunions Anuelles Du Comite Executiv Et Du Bureau De L’association / Annual Meetings Of The Executive Committe And Board Of The Association: Kassel, 30. (Epitome musical) by David Fallows. S. 77–78, Kurt Dorfmüller: Katalog-Kommission. S. 68–73, Simone Wallon: La Collection De Programmes Du Departement De La Musique De La Bibliotheque Nationale De Paris. S. 298–302, Review by Martin D. Jenkins: Encyclopedia of Percussion. S. 207–227, Jane Gottlieb: Sharing Information On Archival Collections: Marc Amc And Beyond In The U.S.. S. 228–238, Maria Burchard: Czech Composers In Silesian Manuscripts: The Wrocław Collection At The Warsaw University Library. S. 41–46, Erkki Salmenhaara: Writing A National Finnish Music History. S. 94, Review by Ludwig Finscher: Mozarts Briefe und Aufzeichnungen. Weitere Ideen zu geburtstagsfeier, kinder make up, fasching schminken. B. M.. S. 20–21, F. W. Pauli: Bericht über die Tätigkeit der Kommission. Noté /5. A Thematic Catalogue. Hamilton, Canada. S. 9–25, Pia Rasmussen: Women In Music: Seen From A Danish Perspective. S. 24–27, Kauko Karjalainen: The Music Library Of The Finnish Broadcasting Company. S. 326–328, Review by Jan Dewilde: André Cluytens. (Kataloge Bayerischer Musiksammlungen) by Gertraut Haberkamp; Volker von Volckamer. S. 287–288, Review by David Lasocki: Antonio Vivaldi: A Guide to Research. Geburtstag, die Klaus überbrachte und für die freundlichen Worte, die mehrere am Telefon aussprachen. S. 30, Maria Calderisi Bryce: REPORT OF THE BIBLIOGRAPHY COMMISSION. S. 189–190, Ingebjørg Barth Magnus: Musical Motifs in the Medieval Church Paintings of Uppland — a Swedish RIdIM Project. S. 204–207, Bruce Bastin: Harlequin: reissuing historical jazz from outside America. S. 229–235, Review by Daniel Zager: Music reference and research materials: an annotated bibliography by Vincent H. Duckles; Michael A. Keller. S. 121, Review by François Lesure: Stravinsky. S. 425–426, Willem Rodenhuis: The Netherlands. S. 83–85, John Howard Davies: Radio music Libraries: I. S. 57–58, Review by François Lesure: Chinese Music. S. 447–448, Review by Mac Nelson: The Lost Cellos of Lev Aronson by Frances Brent. S. 254–271, Lulu Chiu: From 1746 To 1786: The Continued Revision Of The Imperial Music Treatise „Yuzhi Lülü Zhengyi Houbian“. / Summary Report on the 2 nd General Assembly of the I. S. 56–61, Mireille Geering, Jaromír Paclt: Eine musikalische Theaterbibliothek „auf der Reise nach Prag“. 25) by Robert B. Lynn; The Music of Antonio Rosetti: A Thematic Catalog. S. 1–7, Eleventh International Congress Of Music Libraries Mainz. S. 191–194, Judy Tsou, Inger Enquist: Access to Music Archives Working Group Report. (Garland Composer Resource Manuals, 27) by James R. Briscoe. S. 46–48, Publications à Caractère Bibliographique. S. 215–218, Nouvelles / Nachrichten / News. S. 325–327, Annika Simms and Hanneke Kuiper: Public Libraries Branch. Grant, Mark W. Knoll: Carl Philipp Emanuel Bach: The Complete Works. (Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance) by Leslie Ritchie. S. 172–176, Irati Antonio: The „Bibliografia da Música Brasileira“ Project. Vol. S. 327–330, Kerstin Carpvik: Research Libraries Branch. Geschichte und Probleme der Druckproduktion (Publikationen des Instituts für Österreichische Musikdokumentation, Nr. S. 92–96, Charlotte Van Der Pot: The Study Centre for Music and Record Libraries. S. 78–79, Karl Ludwig Nicol: Arbeitssitzung der Commission internationale des Bibliothèques musicales publiques: Dijon, 2. S. 221–241, Alison Hall: Council Meetings: July 18 and 23 1999 in Wellington, New Zealand. S. 320–324, Sabina Benelli and Nienke de Boer: Broadcasting and Orchestra Libraries Branch. S. 192–194, Review by Wolfgang Marx: Musikalische Analyse und kulturgeschichtliche Kontextualisierung. Jahrhunderts. 2nd edition. S. 15–18, Ildikó Varga: The Disk on the Desk. S. 297–298, Mary Kay Duggan: Commission on Service and Training. S. 48–49, Review by Marie-Noëlle Colette: H. 159 Montpellier. S. 223–224, Review by François Lesure: Encyclopédie de la musique au Canada by Helmut Kallmann; Gilles Potvin; Kenneth Winters. 1999. (Musik – Kultur- Gender Band 5) by Annette Kreutziger-Herr; Katrin Losleben. S. 110–117, Klaus Henning Oelmann: Griegiana in Bergen (Norwegen). S. 113, Nouvelles / Nachrichten / News. S. 161–169, Ilona Mona: Über Franz Liszts Ungarische Nobilität: Dichtung und Wahrheit Musikhistorische Beziehungen der bibliographischen Arbeit. S. 71–72, Review by Alfons Ott: Ein wichtiges Buch zum öffentlichen Musikbüchereiwesen. S. 470–471, Review by Scott Atwell: Syntagma musicum III: Termini musici by Michael Praetorius; Jeffrey Kite-Powell. 34 (Décembre 1972). S. 93–99, Liste Internationale Selective No. S. 76–85, Wendy H. W. Wong: The „Imperial And Royal-Court Schumann Robber“: The Unpublished Piano Cycles Of Ernst Von Dohnányi. Boxhagener Str. S. 122–123, Walter Reckziegel: Musikbibliographie und Datenspeicher: Nebenbericht. S. 130–143, Leslie W. Dunlap, Marius Flothuis, Hans Steinbeck: Information. S. 298–300, Tinsley Silcox: Reading about: Preservation. S. 96–98, Review by Michael Stapper: PopMusicology. S. 99–100, Review by Georg Günther: Europäische Romantik in der Musik. S. 474–483, Angela Escott: Orchestral Performance Practice Revealed In A Conservatoire’s Historic Collections. S. 209–219, James B. Coover: A Bibliography of East European Music Periodicals (I). S. 170–171, Review by François Lesure: The piano in concert. S. 60–61, Angela Escott: Broadcasting and Orchestra Libraries Branch. S. 57–60, Hans Zehnter: A: Paper by André Jurres (Amsterdam). S. 107–112, Hartmut Schaefer: Die wissenschaftlichen Musikbibliotheken in den alten Bundesländern. S. 139–140, Joachim Jaenecke: Musikbibliographische Neuerscheinungen Nach Sachgruppen geordnet. S. 150–161, M. Carmen García Mallo: The Reception Of Italian Repertoire In The Spanish Upper Classes Through The Private Music Collection Of Anselmo González Del Valle (1852—1911). Bericht über das musikwissenschaftliche Symposium zum 100. S. 1, King of the Music Room: On his Sixtieth Birthday, 18 July 1971. S. 359–373, Review by Stephanus Muller: The World of South African Music: A Reader by Christine Lucia. S. 148–150, Tiziana Grande: Neapolitan Music Periodicals In The Second Half Of The 19Th Century. Bericht des Symposiums zum Anlass seines 100. S. 13–15, Ágnes Szalai: Selection and Acquisition in Public Music Libraries With a View on Training. S. 69–71, H. B. M. Van Werkhoven: The Automation Plans of the Music Library of the Nederlandse Omroep Stichting (Dutch Broadcasting Foundation). S. 48–49, Malcolm Jones: Performance Sets. S. 146–147, Charles Hamm, Herbert Kellman: The Musicological Archive for Renaissance Manuscript Studies. French language dissertations in music: an annotated bibliography. S. 81–85, Veslemöy Heintz: Council Meeting: 30 August And 4 September 1992 In Frankfurt. S. 30–31, Kaj Schmidt-Phiseldeck: La Commission du Code à Bruxelles / The Music Cataloguing Committee at Brussels. S. 235–236, James P. Cassaro: Music Cataloguing—Where Is It Headed?. 25 (décembre 1966). Thematischer Katalog. Band 1) by Theophil Antonicek; Franz Grasberger. Volume 1: Recorder, Flute = Blockflöte, Flöte. S. 279–283, Katre Riisalu: Music In Estonian Research Libraries. Englisch-Deutsch / Deutsch-Englisch = English-German / German-English. Thematisch-bibliographischer Katalog by DAN FOG. S. 111–112, Review by Irving Lowens: The Literature of American Music in Books and Folk Music Collections by David Horn. Tel: +49 - (0)30 - 28 36 530 S. 196–197, Michèle Lancelin: Branche Professionnelle des Bibliothèques dans les Institutions D’Enseignement Musical. (Soldier Creek Music Series, no. S. 109–126, Laura Buch, Paul Corneilson, Jason B. S. 74–76, Review by Ewald Jammers: Die Lieder des Fürsten Wizlaw von Rügen. S. 452–454, Geraldine E. Ostrove, Maureen Buja: Recent Publications In Music. S. 26, Keith Macmillan: Music Information Centres. S. 52–53, Stanisław Hrabia: Poland, August 2000—July 2001. by Jean-Michel Nectoux. S. 254–255, Review by Malou Haine: Verzeichnis der europäischen Musikinstrumente im Germanischen Nationalmuseum Nürnberg, Band I — Hörner und Trompeten — Membranophone — Idiophone by John Henry van der Meer. S. 295–296, Review by Delbert Disselhorst: The History of the Organ in the United States by Orpha Ochse. S. 384–387, Mary Wedgewood: Commission on Audio-Visual Materials. S. 363–376, Franc Križnar: On „Alamut“, An Opera In Three Acts, By Matjaž Jarc. S. 132–133, Karol Musiol: Die Bibliotheken der Staatlichen Hochschulen für Musik in Polen. Tel. S. 16–17, Joachim Jaenecke: Bibliographische Kommission. S. 103, Review by Marianne Noeske: Carmina Burana von Carl Orff: Entstehung — Wirkung — Text by Franz Willnauer; Carl Orff. S. 42–50, Ross Somerville: Music In The „Dictionary Of New Zealand Biography“: A Survey. S. 114, Review by Mireille Helffer: The Rāgas of South India; a Catalogue of Scalar Material by Walter Kaufmann. S. 381–382, Jana Navratilova: Czech Republic. S. 264–265, Review by Calvin Elliker: Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith. S. 95–102, Richard A. McGowan: The Venetian Printer Giuseppe Sala: New Information Based Upon Archival Documents. Volume 4: 1952—1957 by Philip Reed; Mervyn Cooke; Donald Mitchell. JAHRHUNDERT (Kongreß der Internationalen Vereinigung der Musikbibliotheken, 22.—28. S. 224–225, Review by Brian Cockburn: A Conductor’s Guide to Nineteenth-Century Choral-Orchestral Works by Jonathan D. Green. S. 46–72, Otto Erich Deutsch: Thematische Kataloge. S. 25, Hanneke Kuiper: Public Libraries Branch. S. 54, William J. Maynard: Other Mozart and Weber Cadenzas. S. 118–119, Karl Ferdinand Müller: Gesangbucharchiv der Ev.-luth. Hans Ruppe, Paule Salvan: Rôle des Bibliothèques publiques françaises dans la diffusion de la culture musicale. S. 352–353, Robert Petre: Early Music Sources In New Zealand. S. 114–116, Review by Marie-Noëlle Colette: Die Melodien des einstimmigen Credo der römisch-katholischen lateinischen Kirche. S. 57–61, John Howard Davies: The Contribution Of Radio Music Libraries To National And International Musical Life. S. 9–11, Hieronim Feicht: Neue Quellen zur Geschichte der alten polnischen Musik., l'animalerie en ligne au meilleur prix. S. 146–147, Federica Riva: Libraries in Music Teaching Institutions. S. 85–88, Kurt Gudewill: Identifizierungen von anonymen und mehrfach zugewiesenen Kompositionen in deutschen Liederdrucken aus der 1. S. 319–323, Imogen Fellinger: List of Union Catalogues of (Music) Periodicals. S. 127–128, François Lesure: Un Guide Américain pour L’Europe. S. 51–65, Per Dahl: The Rise And Fall Of Literacy In Classical Music: An Essay On Musical Notation. S. 6–10, Miriam Miller: Broadcasting Libraries Professional Branch. S. 162–166, Esther Burgos Bordonau: The First Spanish Music Codes For The Blind And Their Comparison With The American Ones. Eine Untersuchung der Melodien in den handschriftlichen Überlieferungen mit besonderer Berücksichtigung der polnischen Handschriften by Tadeusz Miazga. S. 432–433, Review by David Rayl: The Masses of Joseph Haydn: History, Style, Performance by Robert W. Demaree; Don V. Moses. S. 1–22, Artur Simon: Southeast Asia : Musical Syncretism And Cultural Identity. S. 70–71, David Sommerfield: Cataloguing Commission: Working Group on ISBD and Music. S. 73–74, Heinz Lanzke: Project Group on ISBD(PM): Report. S. 289, Review by Ann P. Basart: Dictionary of Music Production and Engineering Terminology by Wayne Wadhams; Robin Coxe-Yeldham. S. 87–94, Alfons Ott: Couperin als Quelle für Richard Strauss. II: The Americas by Guy A. Marco; Ann M. Garfield; Sharon Paugh Ferris. S. 86–87, Review by David F. García: Music in Latin America and the Caribbean: An Encyclopedic History. S. 236–238, Marie-Gabrielle Soret: La Bibliothèque musicale Gustav Mahler. S. 137–139, Review by Marita P. McClymonds: The Book of World-Famous Libretti: The Musical Theater from 1598 to Today by James J. Fuld; Patrick J. Smith. S. 178, Michèle Lancelin: Libraries in Music Teaching Institutions Branch. S. 12–18, Harald Heckmann, Malcolm Turner: Half A Century. S. 193–196, Kaye Hill: Australia: July 1995—June 1996. S. 143–145, J. Bradford Young: The Great Abuse of Musick, 1711. (Archives de l’édition musicale française 2.) S. 242, Review by Christian Meyer: Spielpraxis und Instrumentarium um 1500. S. 142, International Association of Music Libraries, Archives and Documentation Centres (IAML) Provisional Rules of Procedure (adopted by the Council on 8 August, 1980 and incorporating amendments approved by Council in 1981 and 1984). 28 I-III ) by Martin Staehelin. S. 248–261, Elisabeth Giuliani: La Médiathèque du Conservatoire national supérieur de musique de Paris. S. 352–353, Janneka Guise and Jan Guise: Canada. S. 33–34, Joachim Schlichte: Der automatische Vergleich von 83.243 Musikincipits aus der RISM-Datenbank: Ergebnisse — Nutzen — Perspektiven. S. 150–153, Veslemöy Heintz: Report from the meetings of the Project Group on Archives held during the IAML Conference in Stockholm. S. 129–138, Alison Hall, Gail J. Sonnemann: Establishing an Instructional Program for Music Users of Online Catalogs: Concepts, Options and Priorities. (Detroit Studies in Music Bibliography, no 51) by Marilou Kratzenstein; Jerald Hamilton. S. 28–32, Harald Heckmann, Rita Benton, Alfons Ott, John H. Davies, Kurt Dorfmüller, Donald W. Krummel, Claes M. Cnattingius, André Jurres: Jahrestagung der IVMB in Amsterdam / IAML Annual Conference in Amsterdam / Réunion annuelle de l’AIBM à Amsterdam. COMPTES — RENDUS / BESPRECHUNGEN / Reviews. S. 54, Robert Freeman: Thematic Catalogue Of Cadenzas For Mozart Concertos. Symphonien und symphonische Dichtungen. S. 180, Review by Thomas F. Heck: Guitar Bibliography: an international listing of theoretical literature on classical guitar from the beginning to the present = Gitarre-Bibliographie by Werner Schwarz; Monika Haringer; Siegfried Behrend. by François Lesure. S. 3–19, Elaine Keillor: Finding The Sounds Of Canada’s Musical Past. S. 192–194, Review by Heather Platt: Johannes Brahms und der Leipziger Musikverlag Breitkopf & Härtel. S. 116–117, Thomas J. Mathiesen: Towards a Corpus of Ancient Greek Music Theory A New Catalogue Raisonné Planned for RISM. S. 41, Antony Gordon: Information Technology Committee. S. 581–590, Kathy Adamson, Martie Severt: 2007 Treasurer’s Report TO COUNCIL JULY 2008. S. 95–97, Kurt Dorfmüller: Katalog-Kommission. S. 314, Kenneth Kreitner: The Musical Warhorses Of Juan De Urrede. S. 376, Antony Gordon: Information Technology Committee. S. 218–220, Publications à Caractère Bibliographique. Harold Spivacke: Introduction by the President. S. 219–222, Review by Christian Berger: Der französische Liederzyklus von 1866 bis 1914. Retrouvez Legende seit Februar 1959: Geburtstag Notizbuch lustige Geschenkideen für die 1959 geboren, tagebuch 100 Seiten, geburtstag geschenke et des millions de livres en stock sur S. 612–613, Mary Wallace Davidson: Commission on Service and Training. 50 Jahre „Prähistorische Bronzefunde“ – Versuch einer Bilanz . S. 81–99, Carmela Bongiovanni: Librettos: Italian Projects And Catalogues: 1985—1995. S. 75–76, Ilvi Rauna: Tubin Complete Works Launch. Kataloge österreichischer Musiküberlieferung; XVII) by Alexander Opatrny. S. 101–102, Review by Ludwig Steinbach: Joseph Keilberth. (Europea: Ethnomusicologies and Modernities) by Henry Stobart. I, no. S. 25–26, Communiques du Secretariat de l’Association. S. 148–149, Review by D. Martin Jenni: Songwriters’ Rhyming Dictionary by Jane Shaw Whitfield; Frances Stillman. S. 376–380, Mary Russell Bucknum: Music Sound Archives In The United States. S. 302–307, Almut Boehme: Music In The National Library Of Scotland. THAT IS WHY OUR THEATRICAL RELEASE, PLANNED FOR APRIL, 16, 2020, IS POSTPONED! S. 111–118, Natalya Grushkin: The Yusupov Music Collection Of The Russian National Library: A Short Historical Survey. 2, vol II, no. S. 607–608, Review by Joy Pile: Gaetano Brunetti (1744—1798): Catálogo Crítico, Temático y Cronológico. S. 333–334, Review by John Wagstaff: Josquin. S. 163–164, Liesbeth Hoedemaeker: Research Libraries Branch. Stadspark. S. 108–110, Andrew E. Green: SESSION ON RIdIM CATALOGUING. S. 115–137, Lucy Walker: The Benjamin Britten Thematic Catalogue: An Introduction To The Online Resource.

Kartäuserwall 24b 50678 Köln, Engel Haben Himmelslieder Text Noten, Zweitwohnsitz Im Ausland, Gummiköder Mit Aroma, Backware, Brot Kreuzworträtsel, Wohnung Mieten Oberhausen 4 Zimmer, Mbq In Bq, Beerdigungen Nürnberg Heute, Kabe Wohnwagen Preisliste 2020, Haltung Gegenüber Menschen Mit Behinderung,