Now, this film's story isn't as fresh as it was when it was first introduced through "Let the Right One In", and arguably overwhelming faithfulness in storytelling, broken up by a conventionalism not found in the Swedish counterpart doesn't exactly help, but this is still a distinguished story, with subtle layers and a certain strength that is much more clear in this particularly interpretation, due to direction's being, like most everything else in this film, stronger than it was in the original. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. Please enter your email address and we will email you a new password. Good for her. also, i made it separately with my own email address not through facebook. 3/5 - Good, Twilight had Let the Right One as a Swedish response in 2008. Let us know what you think in the comments below. All Critics (237) Copyright © 2018 Fandango. Coming Soon. Coming Soon. and the Terms and Policies, What am I missing? | Rating: 3.5/4.0 Rotten Tomatoes did some digging and sorted through the free movie catalogs of Peacock, Vudu, Tubi, IMDB, YouTube, and Crackle to find the 200 best movies available to watch for free right now. ... Let me know sis. Nevertheless, the film goes far enough to compel through and through, being not fully celebratory of strong potential, but decidedly superior to its counterpart, even when it comes to artistry. Cinemark Sign up here. Check out the new grown-ish Season 2 Episode 4 clip starring Chloe Bailey! Twelve. Moretz made good on that with Certified Fresh movies like Let Me In, a rare Europe-to-America remake that rivaled the original, and Hugo, the 3D children’s movie directed by Martin Scorsese. Hey, I'm still glad that the kid is in here, not just because he's a good actor, but because he needs the work, as the money he's making off of low-profile Australian films isn't going to do when he grows up and has to deal with real-life blood-sucking girlfriends. Similar to the original in all the right ways -- but with enough changes to stand on its own -- Let Me In is the rare Hollywood remake that doesn't add insult to inspiration. Some answers were positive, so a thumb up for that, even if I still consider Reeves and co. to be financially greedy. We want to hear what you have to say but need to verify your account. A definitely well made remake that manages to gain its own agenda of horror, shock value and final quality. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. This film's Swedish counterpart really stood out, at the very least, stylistically, and even when it comes to artistry, this ambitious reinvisioning steps things up, so you know that substance handling is sharper this time around, as it's more celebratory of potential. The film has a 98% "Certified fresh" rating at Rotten Tomatoes based on 190 reviews, with an average rating of 8.29/10. Let us know what you think in the comments below. Outstanding work of art written and directed by Matt Reeves and starring Kodi Smit-McPhee and Chloë Grace Moretz based on the 2008 Swedish film Let the Right One In (Låt den rätte komma in), directed by Tomas Alfredson, and the novel of the same name by John Ajvide Lindqvist. What really undercut "Let the Right One In" as underwhelming was it's being pretty dull in a lot of places, and here, Reeves' cold directorial atmosphere is controlled and flavorful enough to keep dullness at bay and intrigue at the forefront, but it still steadies momentum more than it probably should, until, after a while, blandness leaves you to lose your full grip on the compellingness. The new Rotten Tomatoes changes, of course, apply to unreleased movies. |, October 14, 2014 Just leave us a message here and we will work on getting you verified. our database) reveals to all the 75 best-reviewed live-action fantasy movies of all time ranked by adjusted Tomatometer! You're almost there! Get the freshest reviews, news, and more delivered right to your inbox! Enjoy! Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Matt Reeves simply wanted to cash in. Cloverfield director Matt Reeves has been charged with filling Alfredson's considerable boots, and he does a fine job of not steering too far from the original, while also putting his own stamp on the vampire tale. | Rating: 2/5 performed by Heidi Blickenstaff (Bea) and Brian d'Arcy James (Nick). Andrew Garfield Celebrity Profile - Check out the latest Andrew Garfield photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Yes, her starring role in the violent superhero send-up Kick-Ass got her on many a genre enthusiast’s radar, but it was also a calling card at large to announce a new talent that could handle mature, borderline controversial material with a professionalism beyond her years. Real art of story telling of a bullied 12-year-old boy who develops a friendship with a vampire girl in Los Alamos, New Mexico in the early 1980s. Cinemark The Swedish masterpiece had also received worldwide acclaimed and prestige by audiences and critics alike, so the explanation is not there either. where ever i look it says "go on account click the delete account link" there isnt a delete account link! Before a sequel to The Addams Family (reprising her role as Wednesday) along with a Tom & Jerry adaptation hit release, we’re ranking all Chloe Grace Moretz movies by Tomatometer! All Hayao Miyazaki Movies, Ranked By Tomatometer, The Best Movies of 2021 – Best New Films of the Year, Them Creator and Stars on Making a Show Out of Real-Life Jumpscares. A U.S. reporter (Clark Gable) smuggles his ballerina wife (Gene Tierney) out of Russia, with an Englishman in the same boat. Something Rotten the Musical - Right Hand Man Lyrics "Right Hand Man" is a song from Something Rotten! One of those rare remakes that not only meets but arguably surpasses the greatness of its original, Let Me In is haunting but touching, brutal yet beautiful, with two of the best performances by child actors this genre has seen since The Sixth Sense. You know the movie Let Me In?The new one — I haven’t seen the original. Sign up here. “The Rotten Tomatoes curation team is constantly adding and updating reviews for films — both past and present,” he told me. The Bad Batch Trailer 1 - Star Wars Series. This gets to be a pretty intense thriller, as well as a moving drama, and for this, we have to give Reeves a lot of credit for his inspired direction, but we cannot disregard compliments to the heart of this character drama by the performers, particularly leads Kodi Smit-McPhee and Chloë Grace Moretz, who share excellent chemistry and impress by their own individual rights, with Smit-McPhee being eerily convincing as a disturbed child who ironically finds great comfort in the rise of a great danger, while Moretz proves to be quietly intense in her portrayal of a somber girl who thrives on isolation and dark deeds. Just confirm how you got your ticket. Check out the new The Walking Dead Season 10 Episode 22 Clip starring Jeffrey Dean Morgan! Like Kåre Hedebrant and Lina Leandersson, Smit-McPhee and Moretz are too underwritten to be all that outstanding, but they're arguably more inspired, so in most every regard, this film is superior to its Swedish counterpart, maybe not to where it's all that strong by its own right, but certainly to where it compel thoroughly and ultimately rewards. Within her young but momentuous career, Chloe Grace Moretz has gone from Hit-Girl to Hollywood It Girl. Read Movie and TV reviews from Roger Ebert on Rotten Tomatoes, where critics reviews … Moretz made good on that with Certified Fresh movies like Let Me In, a rare Europe-to-America remake that rivaled the original, and Hugo, the 3D children’s movie directed by Martin Scorsese. |, October 7, 2013 The percentage of users who rated this 3.5 stars or higher. Solved. Rotten Tomatoes. Rotten Tomatoes logo On the film review aggregator website Rotten Tomatoes , a set of films have a 100% rating. Let Me In was included on Rotten Tomatoes list of the ten best reviewed wide-release films of 2010 in addition to being the best reviewed horror film of 2010. None of the cases above apply. It's even better if viewers haven't seen the original. ... Let Me In is the rare Hollywood remake that doesn't add insult to inspiration. Never Let Me Go is a surprising film, with a strange blend of sci-fi, mystery, romance, and atrocity that I've never seen before. This weekend, make sure to get yourself in to the nearest theatre for Let Me In. |, October 29, 2019 Similar to the original in all the right ways -- but with enough changes to stand on its own --, This Is a Robbery: The World's Biggest Art Heist, Looking for a Lady with Fangs and a Moustache, 2021 Oscar Nominated Shorts - Live Action, Best Netflix Shows and Series To Binge (March 2021), The 100 Best Movies on Netflix Right Now (March 2021), 100 Best Movies on Amazon Prime To Watch (March 2021). Let’s remember that the critics reviewing movies 20-30 years ago are different people with … The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are positive, the film has a 100% rating. Coming Soon. "Will the film end in the same tone and will it be effective?" Today. Now you have the opportunity to throw tomatoes in websites that deserve it. [Full review in Spanish]. Happy Friday Harvest, a weekly round-up of the best pictures, posters, and videos that have become available for viewing\/download on Rotten Tomatoes. By creating an account, you agree to the Privacy Policy I ask this in the most positive tone. Just so you know, I can't be your friend. |, November 16, 2019 It’s just one of those movies that I loved the relationship, and the dark story behind it all. | Rating: B+ The directorial approaches that Tomas Alfredson and Matt Reeves take on this story are pretty similar, in that they're both very atmospheric and somber, but where Alfredson's atmosphere got too cold for its own good with "Let the Right One In", Reeves never lets the air get too dry, keeping a slow pacing up for way too long, to be sure, but presenting a brood that keeps dullness at bay by drawing much intrigue throughout the film, punctuated by tension, if not emotional resonance. 30 Most Popular Movies Right Now: Top Films Everyone’s Watching, 100 Best Movies on Disney Plus (April 2021). Both outcasts, the two form a strong bond. Cloverfield director Matt Reeves nails the melancholic pacing, understated humility and visceral tension that made its Swedish counterpart a masterpiece in dramatic horror, and as a result, he's crafted one of his own. The Twilight Saga: Eclipse had Let Me In as a British response in 2010. This was obviously aimed at subtitles haters and people that stick to English-spoken films, like if English deserved cultural monopoly as a worldwide language. The swirling mythic cauldron (i.e. Let Me In is one of the few horror films that will trouble you long after the credits roll. I must admit, this film starts out very well, promising to be a particularly strong art thriller through a not-so thrilling sobriety that subtly draws a lot of intense heart, but where this could have been, at the very least, 2010's "1408", Reeves sustains steadiness throughout a body that doesn't pick up as often as it should, and before you know it, you're meditating on light flaws that end up going a long way in betraying full potential, no matter how much Reeves boasts an ambition that ironically pronounces shortcomings even more. I really liked that movie. Of course, natural shortcomings might be relatively easy to spot because this story is too familiar for its own good, and by that, I don't necessarily mean that this film is way too faithful to its Swedish counterpart, - even though it is anything but a loose remake - as much as I mean that this film is more faithful to dramas of this nature than its counterpart. It is impossible not to watch the film on only a humanistic level but as an allegory of a time and era where discontent sucked the lifeblood out of families. "Let the Right One In" relied heavily on silent intensity and really downplayed Johan Söderqvist's score, and ostensibly to reinforce their faithfulness to the Swedish original, the makers of this film considered playing down a score by the Michael Giacchino that they ironically ended up using very prominently throughout this effort, which, I must say, is very good, as Giaccino really delivers, crafting an atmospheric score, with gothically dark whimsy and touches of striking intensity that is not only hauntingly beautiful, but complimentary to a harsh tone. My remarks are not entirely negative: the children cast did a good job and Chloë Grace's career has just began to pave itself to stardom. ), especially when it features Kodi Smit-McPhee trying to fend off a cannibal. A serious blow to the original is natural shortcomings, and seeing as how this film has the same story, it too faces natural shortcomings, but, strangely enough, to a lesser extent, as the strengths of this story - of which there are, in fact, many - are more celebrated with this interpretation, thus obscuring the conceptual thinness, though not enough for you to fully disregard the draggy sparseness of this narrative, much less the characters' having some questionable traits and facing some histrionic situations. As far as remakes go, this is a pretty good one. Rotten Tomatoes not recognizing that I'm running Firefox, won't let me load the website. Let Me In is the US remake version of the popular foreign vampire film Let the Right One In.This film is a very touching vampire movie that tries to both shows the vicious nature of vampires and the need for some vampires to connect with humans to protect them. Anyone know how to fix this? | Rating: 3.5/5 ... Let me be your right hand man (But your not a man, I'm the man) UGH, your not hearing me If you're ever in a pickle You can call for me … The film will undoubtedly prove satisfying to those who profess to be hardcore fans of the sub-genre of vampire flicks. Let the Right One In, almost universally considered to be the superior film version, as well as one of the better horror movies of the 2000’s, is not even on the Rotten Tomatoes list, where Let Me In is not only on the list but seated higher than many horror classics, … The actors in Let Me In are phenomenal across the board. Let Me In doesn't need to exist unless, that is, the very notion of Swedish cinema is strange and unpalatable to you. | Fresh (209) Copyright ©  2018 Fandango. Total nonsense and demonstrates why Rotten Tomatoes is so flawed. This week on The Rotten Horror Picture Show, we court controversy by covering Let Me In, the 2010 remake of Let the Right One In. 1 Answer. | Rating: 7/10 If you are ready for a dark and violent romantic love story this should on your list... it is a beautiful piece of cinema, indeed. Relevance. When Abby's caretaker disappears amid a series of gruesome murders, Owen begins to suspect that she is hiding a terrible secret. |, November 29, 2020 |, Sure, the monster from "Cloverfield" was big and scary and whatnot, but boy, Matt Reeves has shown you no form of terror until he's shown you the wrath of any young girl, much less Hit-Girl as a supernatural monster. The critical consensus reads, "Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling". Rotten Tomatoes not recognizing that I'm running Firefox, won't let me load the website. Sorry, teenagers, but there is no Will Ferrell to be found here, though if you want to cool down from all of that cheesy "Twilight" stuff, you're ironically going to have to look into this melodramatic romance between even younger kids for some hardcore thrills... that punctuate long stretches of not a whole lot going on. Rotten Tomatoes now features an Audience Score made up of ratings from users we’ve confirmed bought tickets to the movie – we’re calling them “Verified Ratings.” We’re also tagging written reviews from users we can confirm purchased tickets to a movie as “Verified” reviews. 67/100. 3:16. By signing up, you agree to receiving newsletters from Rotten Tomatoes. Please reference “Error Code 2121” when contacting customer service. Exploring the world of good and evil is a common theme in cinema, but few have been able to create such a fine line between the two as cleverly done in Let Me In. Solved. With its mix of true-blood romance and full-moon madness, Let Me In should hasten the twilight of the twerpy pretenders. Check out the new On My Block Season 2 Trailer starring Jason Genao! Compared to the original version there were few changes like altering the setting from Stockholm to New Mexico and renaming the lead characters but the plot was very similar to the original. R (Language|A Brief Sexual Situation|Strong Bloody Horror Violence), Free Movies Online: 200 Fresh Movies to Watch Online For Free, 28 Fresh Movies and Netflix Originals Streaming in March, September 9, 2017 Let It Be is a 1970 British documentary film starring the Beatles and directed by Michael Lindsay-Hogg.The film documents the group rehearsing and recording songs for their twelfth studio album Let It Be, in January 1969.The film includes an unannounced rooftop concert by the group, the last public performance of the four together. Each section features the favorite or most interesting item we've added for the week, along with several other new highlights. Read critic reviews. |, June 3, 2020 Let's talk Rotten Tomatoes will be on every Friday at 4:30 on the Pittston Community page for as long as they allow me to do it it will be a half hour to an hour show please join in and put some topics out there on what's bothering you in Pittston and I will make sure I get your opinion out there Thanks for liking and sharing I'll see you on Friday Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Even if you haven't seen "Let the Right One In", this film is kind of predictable, and that would be fine I guess if Matt Reeves didn't stay faithful to Tomas Alfredson's taking too long to tell this familiar and dramatically limited tale, being not as meditative upon nothingness as Alfredson, but still dragging sparse storytelling out, sometimes to an aimless point that is made more glaring by draggy atmospheric pacing.