13: British Pop Psych and Other Flavours 1967-1970, Best of British: Classic Hits from the 80s, 90s and 00s, Alessandro Scarlatti: Missa Breve; Six Motets; Domenico Scarlatti: Stabat Mater. So I was able to help them move into that area, and be a foil, a sounding-board for Neil Peart on the drums and push him into different areas. Developing into a singer/songwriter,Collins' uncle got him a deal…, Drake Bell's Ride From Teen Star to Rockabilly Revivalist, Staring at the Rude Boys: The British Ska Revival 1979-1989, The Columbia & Arista Years: The Definitive Collection, Greatest Ever Mum: The Definitive Collection, Greatest Ever! 63, Playlist: The Very Best of Suicidal Tendencies, Move Over Darling: The Complete Stiff Recordings, The Firm [Original Motion Picture Soundtrack], The Best of Air Supply: Ones That You Love, Sign of the Times: The Best of Queensrÿche, Handel: Concerti Grossi, Op. She is an actress and producer, known for Play for Today (1970), Soft Top Hard Shoulder (1992) and Mrs. Brown (1997). Therefore her nationality is Scottish and when it comes to explaining Elaine’s ethnicity, she is white. I've noticed time and time again that British records seem very light to me at the bottom — it's a sweeping generalisation, but Americans notice it as well, and that's why they have so much British stuff remastered in America. If anyone should know about the differences between American and British pop music, it's Peter Collins. My wife's from Mississippi, and my career happened to take off in America about the same time as we moved here. They usually have a guitar tech on hand all the time. Help. Of course, all the Korn-type bands detune at least a tone down, so the guitars are flapping away in the bass area anyway — it's got to be really carefully planned sonically. Peter Collins Music. Kids haven't grown up on bands so much — they've grown up on Kylie and Jason — whereas in America the live scene for bands is much more fertile.". I've moved out of rock recently, into contemporary acoustic music — Jewel, the Indigo Girls, Nanci Griffith — I'm very much into both genres, and both of them came together with Marti. She has been married to Peter Capaldi since June 1991. Peter Julian Alexander Collins (Londen, 15 januari 1951) is een Brits gitarist en muziekproducent.. Rush (band) - Wikipedia It was produced by Peter Collins and childhood idol, Brian Setzer , frontman of the rockabilly revival band, Stray Cats . Using mouse to record virtual keyboard Studio One. Americans, until recently, have been a little bit more judicious with the compression.". "There have been very few British bands coming through by comparison. Modern metal bands represent a stiff challenge for the producer and engineer. 1 [MCA Special Products], Batman & Robin [Music from and Inspired by the Motion Picture], The Best Rock Album in the World...Ever! In my day, in the early '80s, Radio One was everything — if you weren't on Radio One you could forget it. ", Although his work is mainly in rock music and contemporary AOR, Peter Collins is based in America's country music capital, Nashville. Whether he's working with an ultra-heavy thrash metal outfit or a sensitive singer-songwriter, Collins' approach to production seems to be based above all around respecting the artists and treating them as intelligent professionals. Inside Track: Olivia Rodrigo ‘Drivers License’, From DX to MODX with Manny Fernandez | Podcast. Phil Brown was happy to work there, so it seemed to make sense. At industry seminar MIDEM, U.K. label Magnet Records hired Collins as their producer after hearing some of his masters. Click here to find personal data about Peter Collins including phone numbers, addresses, directorships, electoral roll information, related property prices and other useful information. 8-12 multitracks. Matt Hall Producer. Peter … The '80s Pop Culture Box (Totally), Stiff, Stiffer, Stiffest: A Stiff Records Collection, Mascara & Monsters: The Best of Alice Cooper, Down to the Promised Land: 5 Years of Bloodshot Records, M.O.M., Vol. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. "They're very much into the way the drums and the bass sound, and in the case of Systematic, they wanted to use Pro Tools just as a tool to give a certain unreal quality to the decays of guitars. Because they have so much compression on Radio One, if you've got too much bottom end, that compression would make your record sound quieter over the radio when the record hits their compressors — I'm going back now, because I think Radio One is much more hi-fi than it used to be. Stream Jewel - Foolish Games by Producer Peter Collins from desktop or your mobile device Peter Collins (born 15 January 1951) is an English record producer, arranger, and audio engineer.wikipedia. Peter Collinson Director; Producer; Screenwriter “I'm not one of these directors with his life-span all mapped out, and a deep ponderous philosophy to put into my films. Peter Julian Alexander Collins (* 15.Januar 1951 in London) ist ein britischer Musikproduzent.. Leben. Format: CD, Year: 1992, Label: Epic (EK 48864), Barcode: 074644886429, Length: 58:07 "I found that America was far less microscopic than England. He started playing guitar in his teens. Read Full Biography, Born in London on January 15, 1951, he started playing guitar in his teens. My job is to try to identify what their vision is, and help them achieve it.". Movies. The analogue sound is being somewhat compromised by the ease of use of Pro Tools. Piccadilly Sunshine, Vol. Producer, Audio Production : 2007 : Now That's What I Call the 80s [3 CD] Producer : 2007 … View Peter Collins’ profile on LinkedIn, the world's largest professional community. As human beings, that's the way they are, they're very interesting people, and they need continual intellectual and musical stimulation. Vezi profilurile persoanelor care poartă numele de Peter Collins. But, that being so, there are a lot of people here from Los Angeles, people here from the rock world, who are taking advantage of all the facilities that are here in Nashville. Peter Collins (born 15 January 1951) is an English record producer, arranger, and audio engineer. I use a lot of plug-ins, like Auto-Tune and Amp Farm, that sort of thing.". Peter Collins was Business Editor of The Economist – and he’s not on social media. All that was coming in and we were using it in England, a lot. He passed away on Dec 16, 1980 in … Peter Collins is an English record producer, arranger, and audio engineer. Ironically, perhaps, his early career saw him partnered with a producer who, in many eyes, would come to epitomise the artificial, manufactured approach to pop production: "I started out as a fledgling producer in the '70s and had my first hit in 1979 with Matchbox, who were a rockabilly band. Web site designed & maintained by PB Associates & SOS. Peter Collins (racing driver) (1931–1958), English racing driver; Peter Collins (record producer) (born 1951), English record producer; Peter Collins (speedway rider) (born 1954), English former speedway rider; Peter Collins (racing team manager) (born 1950), former racing team manager for the Lotus and Benetton Formula One teams AC/DC strive to sound exactly as they did on their first record on their 14th record, and that's their strength, but Rush want to be different on every record and to progress. But the high fidelity was very good, I was very pleased with what we were getting on tape.". Bubblegum Pop: The Definitive Collection, Reggae Golden Jubilee: Origins of Jamaican Music, Hearts in Their Eyes: Celebrating 50 Years of Harmony & Jangle, Greatest Ever! I've been in the States 14 years, and in Nashville for eight years [see 'Nashville Skyline' box]. Re: Demos, live recordings, video. I could have used one of the big commercial studios in town, but I knew Marti would be comfortable there, he's done a lot of work there, it's an informal atmosphere, very relaxed, and the studio works! Profile: British record producer, mixer and songwriter, born January 14, 1951 in London, UK. "I'm sort of an agent provocateur: if I hear weaknesses or things I think could be better, I'll try to provoke them to come up with some ideas which I think would be satisfactory. Most used riddims of the 1960s; More recently, however, was working in England producing two tracks for Smile, the debut solo album by former Wet Wet Wet singer Marti Pellow. Iconcentrated on my area, and he concentrated on his. All rights reserved. Peter Collins. It was just a question of coming in fresh, and getting them to change some things they'd always done. It's clear that although he's no technophobe, Collins much prefers the organic, human experience of working with a well-drilled live band to production jobs that are entirely based around sequencers, samplers, and endless computer editing — and that America is the place to go if you want to work in this way. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. As a result, we used real players, and for the most part we didn't use a click track — we had guys who could just go out there and play. "I was sent the stuff and I thought 'He's a great singer, and he's got really good material.' Although he's had considerable success with singer-songwriters such as Pellow, Griffith and Jewel, Peter Collins' track record is such that he is perhaps most in demand as a producer of rock music. And he became one of the richest men in England! Period. At industry seminar MIDEM, U.K. label Magnet Records hired Collins as their producer after hearing some of his masters. "Those bands are very concerned about how their records sound sonically," remarks Collins. An uncle manager fanned his interest in the music business. Peter Collins is a record producer, born January 15, 1951, in London. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Shaquille O' Neal. You’d have to look long and hard to find anyone who’s worked with a more diverse group of artists. "The English perception is much tighter, doesn't go as low, not as warm or as fat: it's crunchier, it approaches the mid-range. Clearly, Collins is in his element in the USA. Peter Collins. Collins has been a top-flight producer both in this country, where he had massive '80s hits with Nik Kershaw, Musical Youth, Tracey Ullman, Alvin Stardust and Gary Moore, and in the USA. But generally speaking they try to avoid Pro Tools unless they have to use it to achieve what they perceive to be a contemporary sound. It's a very nice studio, I think Elvis Costello owns it, or they have a partnership, and it's a lovely environment. "I used Phil Brown, who's a veteran engineer from Basing Street Studios, who worked with Led Zeppelin — his recording technique and miking technique is superb, and is equivalent to any of the veteran Americans. He wants to sound contemporary but does love real players, it's very organic. A lot of that is really tightening things up, making sure that the kick drum is absolutely on it. He’s a rock producer. Andrew is a former editor of Q, Select and Mixmag and now presents the Bigmouth pop culture podcast. Peter Collins is an English record producer, arranger, and audio engineer. "The British are very good at using the machinery to get it right," he says, "but unless it's a techno-type band, I much prefer having the band play than piecing it all together in the studio, by far.". I use it when it's going to be useful to me. The tuning is always very difficult. Games. (From Mar/Apr 2009, Issue 116) You spend a lot of time in rehearsal getting the arrangements agreed and played in, so that when they go in the studio they can play it very quickly. His American career was built on the highly technical, sophisticated prog-rock nouveau of Rush and Queensryche, and despite his enthusiasm for working with 'real musicians', it was for his expertise in the technological side of production that Rush picked him: "When I first worked with them, they wanted to be involved with the technological breakthroughs that were happening in England at the time, the Trevor Horn sound that he'd achieved with Yes and Frankie and those sort of bands. Peter Collins (record producer) Peter Collins Pete Collins. (December 9, 2019) New York born, Newark-raised singer and songwriter Peter Collins started singing at age 7 and has been going nonstop ever since. 208 Related Articles [filter] Rush (band) 100% (1/1) Rush Witch Hunt Rush R40. I produced a track for Gary Moore, who was opening up for Rush in 1984-85, and as a result of that I got a gig with Rush. Images for Peter Collins (record Producer) Wikipedia. Peter Collins Presenter. Pete Waterman and I joined forces in the early '80s — he managed me — and I had a string of hits. As someone who's been hugely successful both in his native Britain and his adopted home of the USA, Peter Collins has a uniquely international perspective on record production. For a producer, it's a wonderful environment.". But when I got to America, that stuff wasn't being used as much, and I found here there's a much greater love for analogue and valve technology. When I first got involved, Alex Lifeson had this horrible mismatched guitar pedalboard, which needed a lot of work — or, rather, lot of work had been done to it, and that was the problem. Format: CD, Year: 2008, Label: Epic (EK 48864), Barcode: 886972388625, Length: 58:07 "For the Limp Bizkit type of stuff, a kick drum with a lot of click in it is quite desirable, a lot of attack. Peter Collins (record producer) From Wikipedia, the free encyclopedia Peter Collins (born 14 January 1951) is an English record producer, arranger, and audio engineer. Few producers have successfully made the jump from pop to heavy metal to folk rock, but this Nashville-based Brit has collaborated successfully with acts ranging from Tracey Ullman to Indigo Girls to Queensrÿche to Nanci Griffith. Like a cat with nine lives, Peter Collins ’ career has had multiple incarnations. An uncle manager fanned his interest in the music business. If anyone should know about the differences between American and British pop music, it's Peter Collins. Then I met Pete Waterman, who was working in Rocket Records at the time. Peter Benedict and his play, "Satyricon," was performed at the Phoenix Theatre in London, England with Peter Benedict, Edward Bryant, Jamie Cresswell, Simon Green, Nick Hirst, Gary Martin, David Napier, Nicholas Orchard, William Parker, Peter Stenson, and Robbie Swales in the cast. Americans are particularly into analogue warmth, although with the preponderance of Pro Tools, a lot of that is changing. If I can have the budget to run, Pro Tools and analogue at the same time, then if I need to go into Pro Tools to move something around, I can do it immediately, and then resend it to analogue there and then, or have the engineer do it immediately after the session, so that we're always caught up — then, I think, it can be a very useful tool. About Peter. Peter Rollins is an author, philosopher, storyteller, producer and public speaker who has gained an international reputation for overturning traditional notions of religion and forming “churches” that preach the Good News that we can’t be satisfied, that … Andrew Harrison Producer. They have one child. We worked at Chris Difford's studio, down in Rye. Had his own production company Loose End Productions. Pr... Demos, live recordings, video. Prior to this he was Head of Specialist Factual at STV Productions, where he devised and executive produced a number of ambitious projects including Britain’s Polar Bear Cub for Channel 4, Lucy Worsley’s Fireworks for a Tudor Queen for BBC4 and Tree of the Year for Channel 4. "My job is to get what they want onto tape, and to best represent what they do," he concludes. Television. 1976 war Collins mit einer Gruppe namens Madison aktiv, die einen Vertrag bei Magnet Records hatte. Athletes. "Since coming to America I've found it much easier to work that way. "One reason for the British perception of bottom end may have been Radio One. An uncle … Category:Albums produced by Peter Collins (record producer) - Wikipedia. 3: Music for Our Mother Ocean, Folk, Gospel & Blues: Will the Circle Be Unbroken, Out in the Fields: The Very Best of Gary Moore, Hipsters, Zoots & Wingtips: The '90s Swingers, Freedom for Frankenstein: Hits & Pieces 1984-1991, Legendary R&B & Blues, Vol. He’s a pop producer. I'd come from the '80s, where the techno age was born, with Frankie Goes To Hollywood and Trevor Horn-style production, where all the digital reverbs and drum machines were coming in, the PPG Wave, the Fairlights and Synclaviers. Developing into a singer/songwriter,Collins' uncle got him a deal… We try to get it in a band performance, with Marti doing live vocals, some of which we kept. He was a movie director and manufacturer, known for The Italian Work (1969), The Earthling (1980) and Ein Unbekannter rechnet ab (1974). American Idol. "In the case of Rush, they strive to be better with every record, they strive to progress with every record. Also, good headphone balances are very important. We tried out some ideas on Pro Tools, worked out the string arrangements in Pro Tools, but basically it was analogue with analogue slaves. Peter Collins. A self-taught guitarist, Peter now is “working on music to express himself, glorify God, and inspire others.” I think that's pretty much always been the case in British pop and rock music, a different sensibility to bottom end. In 1976 sloot Collins een platencontract met Magnet Records en richtte hij de groep Madison op om zijn popliedje "Let It Ring" op te nemen. I don't care if it's 5 minutes or a whole night, i just want to see you. "The Marti Pellow material was recorded purely analogue. From what I can gather from my British friends, a lot has to do with the British taste for dance music, the demise of the pub scene, venues for bands to play in. In 1979, when I was working with Matchbox, I created a drum loop for them to play to. I always have eight-channel mixers for each musician, so that he can get his own headphone balance.